Daily Photography Tips

Preventing Fungus From Destroying Your Lenses

This post is written by Guest Contributor, Janet Ochs Lowenbach. If you are also interested in writing a guest blog, please reach out using the form in the Contact page.

When you think about your favorite Nikon or Canon or any other DSLR brands, you don’t think about fungus — those spore-producing organisms like mildews, rusts, yeast, and mushrooms. I certainly didn’t think about them until the day I decided to sell ALL of my old cameras including the workhorses, lenses, and cases that I had used for 25 years. I had hoped to use the proceeds to buy some new equipment for my Nikon D80.

I remember it like yesterday. With a mixture of sadness at losing my old friends and delight  at the prospect of earning cash, I trotted off to Penn Camera in Rockville, MD. My equipment took up four bags.

Duane Heaton, the sales manager at Penn lined up all my gear on the counter and then pulled out a magnifying glass. “Let’s see how clean they are,” he said. Then he put down the glass and shook his head.

I began to worry. Duane opened the lenses wide and told me to look inside. It was unmistakable. The lens opening was lined with a fuzzy grey growth. The same growth lined every single lens and the two bodies. “That is a fungus,” he said. “It is contagious. It will eventually cover all the equipment, the bags, and even the cabinet you stored your equipment in.”

I soon learned that fungus grows in the lens and under the lens coating; it etches the glass. Fungus thrives in dark humid places where there is little or no movement of the air. Once fungus starts to grow; it is difficult to eradicate, and it causes soft spots in photographs that look like there is a fingerprint on the lens.

“Could I clean the equipment?” I asked

“I don’t advise it; it’s prohibitively expensive.”

“Can I sell the cameras?”

“Absolutely not. The fungus is contagious.  You’ll have to dispose of the cameras and scrub the closet with Lysol or bleach.”

I never knew cameras were sensitive to moisture in the air.

“It's not your fault,” Duane said. “Whenever you swoop down from the mountains to the DC area, you are entering a moist place. The district was built on a swamp and that moisture fosters the growth of fungus.”

What was Duane’s advice? Don’t store cameras in the basement. Keep them in a bright area upstairs. In your camera bag, a closet; keep silica gel packs in the bags. They are desiccants -- something that dehumidifies the area around your equipment -- and include a humidity indicator strip. Humidity should be between 35 % and 45 %. If the humidity gets too low – say below 30 percent -- you might dry out the lens and the components. If it gets too high, you run the risk of fungus forming.

Ultimately you can help prevent fungus by providing movement and exposing the lenses and cameras to light and air.

Just for the sake of memory, I photographed the cameras and lenses before they were trashed. Twenty-five years of equipment would generate dust instead of cash.

I have since learned that there are people who can clean fungus from lens. They are listed on the web, but it is important to ascertain the quality and cost of their work before making any commitment. It is hard to remove fungus and it can come back. But you might want to check out the options.

Five Different Ways Of Connecting External Flash To Nikon D7000

Nikon D7000 comes with a built-in flash which does pretty good job most of the time; specially when your subject is close, and you just need to fill the light. The power of the built-in flash is not enough to use it as a main source of light and this is when external flash comes handy. Nikon's every new DSLRs support external flash units but in addition, Nikon D7000 gives some extra options to connect external flash unit. Basically you have five different ways to connect an external flash unit to your Nikon D7000.

Nikon SC-29 TTL coiled remote cord

Nikon SC-29 TTL coiled remote cord

1. Mount on the accessory shoe: You can connect your flash unit to D7000 by sliding a compatible flash units into the accessory shoe, also called hot shoe. When you slide your flash unit to hot shoe, D7000 automatically detects Nikon speedlights and you can control it's function using camera menu options.

Nikon AS-10 TTL Multi-Flash adapter

Nikon AS-10 TTL Multi-Flash adapter

2. Connect to the accessory shoe with a cable: Instead of mounting your flash directly into accessory shoe, you can also use Nikon standard cables; Nikon SC-28 or SC-29 TTL coiled remote cords to connect flash units with Nikon DSLRs. These coiled remote cords have an accessory shoe on one end of nine-foot cable to accept flash, and a foot that slides into the camera accessory shoe on the other end, providing a link that is the same as mounting flash directly sliding into hot shoe. But using these cables gives you flexibility of placing flash units into different orientations than being fixed on top of the camera. It is useful when you want to experiment with direction of lights using wired connection between flash units and camera.

Nikon SC-26:27 TTL Multi-Flash Sync cord

Nikon SC-26:27 TTL Multi-Flash Sync cord

3. Connect using Multi-Flash cables: You can also use Nikon SC-27 or SC-26 TTL Multi-Flash Sync Cords to connect TTL flash units to each other or through the AS-10 TTL Multi-Flash adapter or SC-28 TTL remote cord for multi-flash operation. You may want to use this with older NIkon Flash units as it doesn't support i-TTL or D-TTL operation.

Nikon AS-15 Sync Terminal Adapter

Nikon AS-15 Sync Terminal Adapter

4. Connect to a PC/X connector: Nikon D7000 doesn't have built-in PC sync connector, but Nikon offers an optional adapter, Nikon AS-15 Sync Terminal Adapter, that clips into hot shoe and provides a PC/X connector which can be used with studio strobes. These adapters are useful when they are combined with a voltage limiter so that you don't need to worry about frying your camera with an older flash units that has a triggering voltage that's too high.

Note: According to B&H online store, AS-15 Sync Terminal Adapter doesn't provide high-voltage sync protection, and is not recommended for flash units that have more than 6v.

5. Connect using Wireless technology: Nikon D7000 has a commander mode option which lets you trigger most of the Nikon speedlight units wirelessly. Using commander mode, these speedlights can be triggered by another master flash in commander mode or by the RU-800 infrared device. You can also use third party wireless device such as RadioPopper JrX or PocketWizards wireless flash triggers which are pretty much dominant in the market.

What I Saw In Skyline Drive, Virginia

I always wanted to capture the colors of autumn. I am fascinated by the pictures of beautiful trees with combination of green, yellow and red leaves. Every fall season, the colorful display of leaves gives me the energy to get out of my comfort zone and capture those natural moments. But, because of work schedule, my fall trip was on hold for a long time. Finally, I couldn't wait any longer and decided to make a short trip to park nearby and capture the beauty of the season. This is probably one of my best shot in Skyline Drive. I really like how trees from both side coming close towards each other and the road is leading us from the center.

Skyline Drive, VA

Skyline Drive, VA

Focal Length : 65mm     Exposure : f/5.6     Shutter : 1/40 sec     ISO : 200

On a sunny Tuesday afternoon, I took leave from work and headed to Skyline Drive in Virginia. The Drive is a 105-mile road that runs the entire length of the Shenandoah National Park in the Blue Ridge Mountains of Virginia, generally along the ridges of the mountains. The scenic drive is particularly popular in the fall when the leaves are changing colors. According to Wikipedia, each year, over two million people visit the Skyline Drive, which has been designated a National Scenic Byway.

Skyline Drive Fall Colors

Skyline Drive Fall Colors

Focal Length : 18mm     Exposure : f/3.5     Shutter : 1/40 sec     ISO : 200

The weather was so perfect that I didn't notice almost 90 miles of driving from my home. As soon as I reached the park, I saw an amazingly harmonious blend of nature and human development. Inside the park, you can't drive faster than 35 miles per hour due to curves on the road, wildlife crossings, and walking or cycling tourists. While driving, you can see stopped vehicles whose occupants are either enjoying the wildlife or viewing the valley from overlooks. As a driving precaution, you have to be extra careful about roads which take winding paths along the mountaintops where deer, bear and other wildlife crossing the road may appear without warning. If you go there during the peak of the season, you will be amazed by the colors.

Skyline Drive Scenic Drive

Skyline Drive Scenic Drive

Focal Length : 40mm     Exposure : f/5     Shutter : 1/160 sec     ISO : 200

When you get the $15 dollar visitor ticket (it can be used an unlimited number of times throughout one week) at the entrance,  you will also get maps and information about the National Park. There are nearly seventy-five overlooks throughout the drive, which offers some of the most spectacular views of the surrounding valleys. I didn't have much time to drive through all the overlooks but each one I visited was fantastic. The park is also famous for hiking and camping on its many trails and biking and horseback riding, on the roads.

Please feel free to share your moments if you have been there and tell us what did you feel about the park.